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The path from an idea to a model in the exhibition: Exhibition designer Werner Schulte
The Desire for Freedom. Art in Europe since 1945 reopened to the public in Milan's Palazzo Reale three weeks ago. The opening speeches have been held. The newspapers have published their first reviews. Now it’s time to take a step back. Sticking to the subject of exhibition terminology, we would like to ask: How did the exhibition idea—‘the world in our heads’—become a model and then an exhibition? Why should a painting not hang next to a photograph? And how tall is our ‘optimal visitor’?
The exhibition designer Werner Schulte answered these questions for us.
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