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Kristian Petschko: On Audio Guides, Realisations, and Dissonances
Kristian and I meet for our interview in a room in the administration building that stands out for its vaulted ceiling. Its wood panelling and single large table are supplemented by a wonderful view of the Berlin Cathedral. Its quiet is much better suited to interviews than our noisy project office. After our exciting talk, I actually feel that I have an understanding of what until then had been the least accessible image in the exhibition: Emil Schumacher’s Eruption.
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