. . Hans Christoph Kayser, »The Monocle as Symbol of German Arrogance in the American Media« in Miller (Anm. 5 oben), S.70; Doctorow zitiert in Jeanine Baesinger, The World War II Combat Film: Anatomy of a Genre, New York (Columbia University Press) 1986, S.124; Russel Shain, An Analysis of Motion Pictures About War Released by the American Film Industry, 1939-1970, New York (Arno Press) 1976, S.291.