The Invention of Simplicity - Biedermeier | The Principles of Classical Art

The Style of Simplicity | The Ideal of Nature | Geometric Forms and Abstract Tendencies

 

 

The Invention of Simplicity – Biedermeier

The exhibition concentrates in its selection of 450 objects on the core of the artistic production of the epoch.
To achieve this, it follows the determinant historical and intellectual currents of the turn of the 18th to the 19th century. The exhibition sets out by representing the “principles of classical art”, thus elucidating the interaction of stylistic features in the imitation of the classical art of antiquity. The subsequent areas of the exhibition are devoted to the underlying forms of expression of Biedermeier art: the “Style of Simplicity”, the “Ideal of Nature” and “Geometry and Abstraction”. The characteristic features begin to unfold before 1800. Their further development takes place from 1815 to 1830. The impulses of this first “Modern Style” in the 19th century emanate from the residential cities of the European courts. The leading centres of artistic production include Copenhagen, Berlin, Karlsruhe, Munich, Prague and Vienna. In teaching of the art of drawing, art academies and drawing schools establish the basic principles of modern design instruction.

 

 

 

 

Johann Erdmann Hummel
Die Granitschale im Berliner Lustgarten, 1831
Öl auf Leinwand, 65,5 x 87,5 cm
Stiftung Stadtmuseum Berlin (www.stadtmuseum.de)
Foto: Roman März

 

 

Grundriss Der schwierige Nachlass

360° Panorama

 

Bitte Vorschaubild klicken und durch Ziehen der gedrückten Maustaste in die gewünschte Richtung navigieren.